Fuji 16mm f/2.8

Fujinon XF R WR (24mm eq.)

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Fujifilm 16mm f/2.8

Fujifilm XF 16mm f/2.8 R WR (metal 49mm filter threads, 5.4 oz./154g, 0.6'/0.17m close focus, $399 in black or $399 in silver). bigger. I'd get mine at Adorama in black, at Adorama in silver, at Amazon in black, at Amazon in silver, at B&H in black or at B&H in silver.

This all-content, junk-free website's biggest source of support is when you use those or any of these links, when you get anything, regardless of the country in which you live. Thanks for helping me help you! Ken.

 

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Sample Images

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These are all shot hand-held as NORMAL JPGs; no RAW files or FINE JPGs or tripods were used or needed.

Paella at the Farmer's Market

Paella at the Farmer's Market, 14 April 2019, 11:26 AM. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/16 at 1/30 at Auto ISO 500, Perfectly Clear v3.6. bigger, full-resolution or camera-original © JPG file.

 

Ryan at the Farmer's Market

Ryan at the Farmer's Market, 14 April 2019, 11:28 AM. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/5.6 at 1/600 at Auto ISO 400 at Auto Dynamic Range 200%, Perfectly Clear v3.6. bigger or full-resolution.

 

Fabric at the Farmer's Market

Fabrics at the Farmer's Market, 14 April 2019, 12:00 Noon. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/5.6 at 1/900 at Auto ISO 200 at Auto Dynamic Range 100%, exactly as shot. bigger or camera-original © JPG file. The teal cloth on the right isn't flat and thus isn't in focus and not not supposed to be sharp.

 

Orange Camaro SS Side Mirror

Inferno Orange Metallic Camaro Side Mirror, 14 April 2019, 12:00 Noon. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/13 at 1/240 at Auto ISO 400 at Auto Dynamic Range 200%, exactly as shot. bigger or camera-original © JPG file.

 

Canary Palm

Canary Palm, 13 April 2019, 10:37 AM. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/11 at 1/80 at Auto ISO 400 at Auto Dynamic Range 200%, Perfectly Clear v3.6. bigger, full-resolution or camera-original © JPG file.

 

Fujifilm X-H1 16mm f/2.8 Sample Image

Parking Lot, 15 April 2019, 3:53 PM. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/5.6 at 1/1,300 at Auto ISO 200 at Auto Dynamic Range 100%, as shot. bigger or camera-original © JPG file.

 

Fujifilm X-T20 Sample Image

Hippies' Delight, 19 April 2019, 11:46 AM. Fujifilm X-T20, Fujifilm XF 16mm f/2.8, f/2.8 at 1/30 at Auto ISO 5,000, Perfectly Clear v3.6. bigger or full-resolution file.

 

Fujifilm X-T20 Sample Image

Sun and Clouds, 19 April 2019, 9:15 AM. Fujifilm X-T20, Fujifilm XF 16mm f/2.8, f/22 at 1/550 at Auto ISO 800 at Dynamic Range 400%, exactly as shot. bigger or camera-original © file.

 

Fujifilm X-H1 16mm f/2.8 Sample Image

Backlit Grass, 17 April 2019, 9:03 AM. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/11 at 1/125 at Auto ISO 1,600, exactly as shot. bigger or camera-original © JPG file.

 

Introduction

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Good   Bad   Missing

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The Fujifilm 16mm f/2.8 is a great little lens because it's all-metal, inexpensive, compact, extremely well made with engraved markings and of course it's super sharp.

If you want a fixed lens that sees the same angle-of-view on Fujifilm's APS-C X-mount cameras as a 24mm wide-angle sees on full-frame, this is it. There's no need for the far more expensive and much older 16mm f/1.4 unless you actually shoot it at f/2 or f/1.4; otherwise this f/2.8 lens does exactly the same thing for less than half the price.

I'd get my Fuji 16mm f/2.8 at Adorama in black, at Adorama in silver, at Amazon in black, at Amazon in silver, at B&H in black or at B&H in silver.

 

Fujifilm 16mm f/2.8

Fujifilm XF 16mm f/2.8 R WR. bigger.

 

Good

green ball icon © KenRockwell.com All metal.

green ball icon © KenRockwell.com 9-blade diaphragm.

green ball icon © KenRockwell.com Dedicated aperture ring.

green ball icon © KenRockwell.com Inexpensive: $399.

green ball icon © KenRockwell.com Sharp.

green ball icon © KenRockwell.com Compact.

green ball icon © KenRockwell.com Hood and sack included.

green ball icon © KenRockwell.com Weather resistant:

Fujifilm 16mm f/2.8 gaskets

Fujifilm XF 16mm f/2.8 R WR Weather-Resistant Gaskets.

 

Bad

red ball icon © KenRockwell.com Nothing, a gem of a little lens.

 

Missing

gray ball icon © KenRockwell.com No Image Stabilization, no big deal as the Fujifilm X-H1 has internal stabilization, and you don't need stabilization with wide lenses anyway,.

 

Specifications

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I'd get my Fuji 16mm f/2.8 at Adorama in black, at Adorama in silver, at Amazon in black, at Amazon in silver, at B&H in black or at B&H in silver.

 

Name

Fuji calls this the Fujifilm Fujinon Aspherical Super EBC XF 16mm f/2.8 R WR.

Fujinon is Fujifilm's brand name for their lenses.

Aspherical means it uses aspherically-shaped lens elements for sharper pictures.

Super EBC is Fujinon brand of multicoating, standing for Super Electron-Beam Coated.

XF is Fuji's line of good lenses for their X-mount cameras.

R means it has an aperture ring.

WR means weather resistant.

∅ 49 means it takes 49mm filters.

Fuji also calls this the XF16mmF2.8 R WR, with model number 16611655 in black and 16611681 for silver.

 

Optics

Fujifilm Fujinon 16mm f/2.8 internal optical construction

Fujinon 16mm f/2.8 internal optical construction.

10 elements in 8 groups.

2 aspherical elements.

Internal focusing with stepper motor.

Super Electron-Beam Coating (EBC).

 

Diaphragm

Fujifilm 16mm f/2.8

Fujifilm XF 16mm f/2.8 R WR (diaphragm not seen). bigger.

9 rounded blades.

Electronically actuated.

Stops down to f/22 in 1/3-stop clicks.

 

Focal Length

16mm.

On Fujifilm's APS-C cameras it sees the same angle of view as a 24 mm lens sees when used on a 35mm or full-frame camera.

 

Angle of View

83.2º diagonal.

 

Autofocus

Internal focusing with a stepper motor.

No external movement as focused, so no air or dust is sucked in.

 

Focus Scale

No.

 

Infinity Focus Stop

No.

 

Depth of Field Scale

No, but most Fujifilm cameras can show a depth-of-field scale in the finder.

 

Reproduction Ratio Scale

No.

 

Infrared Focus Index

No.

 

Close Focus

0.56 feet (0.17 meters).

 

Maximum Reproduction Ratio

1:7.7 (0.13×).

 

Image Stabilizer

None.

 

Filters

Metal 49mm filter thread.

 

Hood

Fujifilm 16mm f/2.8

Included Hood, Fujifilm XF 16mm f/2.8 R WR. bigger.

Plastic bayonet hood included.

 

Case

Fuzzy sack included.

 

Size

2.36" ø maximum diameter × 1.79" extension from flange.

60.0 mm ø maximum diameter × 45.4 mm extension from flange.

 

Weight

5.445 oz. (154.4 g) actual measured weight.

Rated 5.5 oz. (155 g).

 

Quality

Made in Philippines.

 

Environment

Rated to work down to -10º C (14º F).

 

Announced

14 February 2019.

 

Promised for

May 2019.

 

Included

Standard 49mm front cap and standard RLCP-001 rear lens cap (p/n 16389783).

Plastic hood.

Cloth sack.

 

Packaging

Fujifilm 16mm f/2.8

Box, Fujifilm XF 16mm f/2.8 R WR. bigger.

Microcorrugated cardboard box with formed-pulp innards.

 

Fujifilm's Model Numbers

Fujifilm calls this the XF16mmF2.8 R WR, with model numbers 16611655 in black and 16611681 for silver.

 

Price, USA

$399 in black and $399 in silver, April 2019.

 

Performance

Top   Sample Images   Intro   Specs

Performance   Compared

Recommendations   More

 

Overall   Autofocus   Manual Focus   Breathing

Bokeh   Distortion   Ergonomics   Falloff   Filters

Flare & Ghosts   Lateral Color Fringes

Macro   Mechanics   Sharpness

Spherochromatism   Stabilization   Sunstars

 

I'd get my Fuji 16mm f/2.8 at Adorama in black, at Adorama in silver, at Amazon in black, at Amazon in silver, at B&H in black or at B&H in silver.

 

Overall

Performance          top

The Fujifilm 16mm f/2.8 is a great little lens. Grab one and shoot!

 

Autofocus

Performance          top

Autofocus is fast. No worries here.

 

Manual Focus

performance          top

Manual focus is on the slow side, ideal for precise magnified focus.

Manual focusing is entirely electronic; the manual focus ring isn't connected to anything other than a digital encoder.

 

Focus Breathing

Performance          top

Focus breathing is the image changing size as focused in and out. It's important to cinematographers that the image not breathe because it looks funny if the image changes size as focus gets pulled back and forth between actors. If the lens does this, the image "breathes" by growing and contracting slightly as the dialog goes back and forth.

This 16mm f/2.8 has no visible breathing.

 

Bokeh

Performance          top

Bokeh, the feel or quality of out-of-focus areas as opposed to how far out of focus they are, isn't important with a lens this wide because nothing is ever that far out of focus. If you can get a background out of focus, bokeh is very good.

Here's a photo at headshot distance wide-open:

Fujifilm X-H1 16mm f/2.8 Sample Image

Davis 6250 weather station, 13 April 2019. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/2.8 at 1/8,000 at Auto ISO 400 at Auto Dynamic Range 200%. bigger or camera-original © JPG file.

 

Fujifilm 16mm f/2.8 bokeh

Plant, 19 April 2019, 11:16 AM. Fujifilm X-T20, Fujifilm XF 16mm f/2.8, f/4.5 at 1/30 at Auto ISO 200, Perfectly Clear v3.6. bigger or camera-original © JPG file.

As always, if you want to throw the background as far out of focus as possible, shoot at f/2.8 and get as close as possible.

 

Distortion

Performance          top

The Fujinon 16mm f/2.8 has no visible distortion in actual pictures.

For more critical or scientific use, use a factor of -1.00 with Photoshop's lens correction filter which will correct most of the minor pincushion distortion, although some very slight wavy distortion will remain after this simple correction. This minor distortion is invisible unless you print many feet wide and hold a ruler to things; you won't see it in regular pictures as it's so minor.

 

Ergonomics

Performance          top

Fujifilm 16mm f/2.8

Fujifilm XF 16mm f/2.8 R WR. bigger.

This is an easy little lens to love: It's got a big aperture ring and a small focus ring and that's it.

The aperture ring has only slightly stronger click at full stops; it's very dicey to try to find full-stop clicks only by feel. Ideally the full stops should be much more deeply detented.

There is no lock at A, so it's easy to knock it slightly and be shooting at f/22 all day without realizing it.

 

Falloff

Performance          top

Falloff is invisible. It's the same with the Lens Modulation Optimizer ON of OFF in a Fujifilm X-H1 as I've shot it here.

I've greatly exaggerated the falloff by shooting a gray field and placing these on a gray background; it will not look this bad in actual photos of real things:

f/2.8
f/4
Nikon MMmm f/FF falloff
Nikon MMmm f/FF falloff
Nikon MMmm f/FF falloff
Nikon MMmm f/FF falloff
f/5.6
f/8

© 2019 KenRockwell.com. All rights reserved.

 

Filters, use with

performance          top

There's no need for thin filters. I can stack at least two regular 49mm screw-in filters with no vignetting.

Go ahead and use your standard rotating polarizer and grad filters.

Be careful with polarizers on wide lenses; the sky's natural polarization can appear like a mysterious dark band in the sky.

 

Flare & Ghosts

Performance          top

There is no significant flare or ghosting. See Sunstars for samples.

 

Lateral Color Fringes

Performance          top

There are no color fringes as shot on Fujifilm's cameras, which by default correct for any that may be there.

 

Macro Performance

Performance          top

Close focus gets reasonable close, in fact it gets about as close as you can get before you start to block your own light.

 

At f/2.8

Fujifilm X-H1 16mm f/2.8 Macro Performance Image

Casio G-Shock Solar Atomic Watch at close-focus distance, 15 April 2019. bigger or camera-original © file.

There's spherical aberration this close at f/2.8, which adds a slight soft-focus effect with a sharp core surrounded by a slight haze:

Fujifilm X-H1 16mm f/2.8 Macro Performance Image

1,200 × 900 pixel crop from above. bigger or camera-original © file.

If this 1,200 × 900 pixel crop is about 3" (7.5cm) wide on your screen, then the complete image printed at this same large magnification would be about 10 × 15" (25 × 38cm).

If this 1,200 × 900 pixel crop is about 6" (15cm) wide on your screen, then the complete image printed at this same high magnification would be about 20 × 30" (50 × 75cm).

If this 1,200 × 900 pixel crop is about 12" (30cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 40 × 60" (1 × 1.5 meters).

 

At f/11

Fujifilm X-H1 16mm f/2.8 Macro Performance Image

Casio G-Shock Solar Atomic Watch at close-focus distance, 15 April 2019. bigger or camera-original © file.

The spherical aberration goes away as stopped down, so it's long gone by f/11:

Fujifilm X-H1 16mm f/2.8 Macro Performance Image

1,200 × 900 pixel crop from above. bigger or camera-original © file.

If this 1,200 × 900 pixel crop is about 3" (7.5cm) wide on your screen, then the complete image printed at this same large magnification would be about 10 × 15" (25 × 38cm).

If this 1,200 × 900 pixel crop is about 6" (15cm) wide on your screen, then the complete image printed at this same high magnification would be about 20 × 30" (50 × 75cm).

If this 1,200 × 900 pixel crop is about 12" (30cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 40 × 60" (1 × 1.5 meters).

 

Mechanical Quality

Performance          top

Fujifilm 16mm f/2.8

Fujifilm XF 16mm f/2.8 R WR. bigger.

The 16/2.8 is all metal, just like a real lens and not like the plastic dog toys passed-off as lenses that come out of The Orient today. Bravo, Fujinon!

 

Hood

Plastic bayonet.

 

Filter Threads

Black anodized aluminum.

 

Hood Bayonet Mount

Black anodized aluminum.

 

Exterior

Black anodized aluminum.

 

Focus Ring

Black anodized aluminum.

 

Aperture Ring

Black anodized aluminum.

 

Identity

Laser engraved around front of lens, also printed on sticker on bottom of barrel near mount.

 

Internals

Could be anything, but looks like a lot of metal

 

Dust Gasket at Mount

Yes.

 

Mount

Dull chromed metal.

 

Markings

All engraved and filled with paint.

 

Serial Number

Sticker glued on bottom of the lens barrel, neither an acceptable nor a permanent way to do this for a product that's handled all day.

 

Date Code

None found.

 

Noises When Shaken

Mild clicking.

 

Made in

Philippines.

 

Sharpness

Performance          top

Lens sharpness has nothing to do with picture sharpness; every lens made in the past 100 years is more than sharp enough to make super-sharp pictures if you know what you're doing. The only limitation to picture sharpness is your skill as a photographer. It's the least talented who spend the most time worrying about lens sharpness and blame crummy pictures on their equipment rather than themselves. Skilled photographers make great images with whatever camera is in their hands; I've made some of my best images of all time with an irreparably broken camera! Most pixels are thrown away before you see them, but camera makers don't want you to know that.

That warning aside, this lens is very sharp at every setting. While in the lab it's a little less sharp wide-open, it's evenly sharp across the entire image and doesn't get much softer in the corners wide-open, and of course it's super-sharp everywhere around f/5.6~11. If you see any lack of sharpness in pictures, it's your fault, not this lens.'

If you're not getting ultra-sharp pictures with this, be sure not to shoot at f/11 or smaller where all lenses are softer due to diffraction, always shoot at ISO 200 or less because cameras become softer at ISO 250 and above, be sure everything is in perfect focus, and be sure nothing is moving, either camera or subject. If you want to ensure a soft image with any lens, shoot at f/16 at ISO 1,600 in daylight of rapidly moving subjects at differing distances in the same image.

Fujifilm X-H1 16mm f/2.8 Sample Image

Black Wrap, 14 April 2019, 11:50 AM. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f/5.6 at 1/600 at Auto ISO 400 at Auto Dynamic Range 200%, Perfectly Clear v3.6. bigger, full-resolution or camera-original © JPG file. Note that this is a 3D subject, and that the sides are simply out of focus rather than soft.

MTF
MTF
MTF at f/2.8 at 15 cyc/mm. (10 cyc/mm equiv.)
MTF at f/2.8 at 45 cyc/mm. (30 cyc/mm equiv.)

 

Spherochromatism

Performance          top

Spherochromatism, also called "color bokeh" by laymen, is an advanced form of chromatic aberration in a different dimension than lateral color. It can cause colored fringes on out-of-focus highlights, usually seen as green fringes on backgrounds and magenta fringes on foregrounds. Spherochromatism is common in fast lenses of moderate focal length when shooting contrasty items at full aperture. It goes away as stopped down.

This lens has a little spherochromatism, but it's largely masked by good old fashioned spherical aberration. Both these effects go away as stopped down.

Fujifilm X-H1 16mm f/2.8 Spherochromatism

Casio G-Shock Solar Atomic Watch, April 2019. Fujifilm X-H1, Fujifilm XF 16mm f/2.8, f2.8 at 1/400 at Auto ISO 200 at Auto Dynamic Range 100%, Perfectly Clear v3.6. bigger or camera-original © JPG file.

 

Fujifilm X-H1 16mm f/2.8 Spherochromatism

1,200 × 900 pixel crop from above. bigger or camera-original © JPG file.

If this 1,200 × 900 pixel crop is about 3" (7.5cm) wide on your screen, then the complete image printed at this same large magnification would be about 10 × 15" (25 × 38cm).

If this 1,200 × 900 pixel crop is about 6" (15cm) wide on your screen, then the complete image printed at this same high magnification would be about 20 × 30" (50 × 75cm).

If this 1,200 × 900 pixel crop is about 12" (30cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 40 × 60" (1 × 1.5 meters).

 

Image Stabilization

Performance          top

This 16/2.8 has no stabilization, and it works great with the Image Stabilization (IS) inside the Fujifilm X-H1.

"Percent Perfectly Sharp Shots" are the percentage of frames with 100% perfect tripod-equivalent sharpness I get when I'm shooting hand-held while standing with no support. Hand tremor is a random occurrence, so at marginal speeds some frames will be perfectly sharp while others will be in various stages of blur — all at the same shutter speed. This rates what percentage of shots are perfectly sharp, not how sharp all the frames are:

% Perfectly Sharp Shots
1
1/2
1/4
1/8
1/15
1/30
1/60
1/125
X-H1 Stabilization ON
0
40
83
100
100
100
100
100
X-H1 Stabilization OFF
0
0
0
17
50
75
100
100

As you can see the Fujifilm X-H1 adds about three stops of real-world stabilization.

 

Sunstars

Performance          top

With a 9-bladed rounded diaphragm, there are only 18-pointed sunstars on brilliant points of light at the smallest apertures.

Ignore the vertical smear at f/2.8; it's a sensor artifact called interline transfer smear, not a lens defect.

Also ignore the crazy rainbow effects at small apertures; these are sensor artifacts caused by taking a picture directly of the sun and exposing for the dark underside of the palm tree.

Click any to enlarge:

Fujifilm X-H1 16mm f/2.8 Sunstars

Fujifilm X-H1 16mm f/2.8 Sunstars

Fujifilm X-H1 16mm f/2.8 Sunstars

Fujifilm X-H1 16mm f/2.8 Sunstars

Fujifilm X-H1 16mm f/2.8 Sunstars

Fujifilm X-H1 16mm f/2.8 Sunstars

Fujifilm X-H1 16mm f/2.8 Sunstars

Click any to enlarge.

 

Compared

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Recommendations   More

I'd get my Fuji 16mm f/2.8 at Adorama in black, at Adorama in silver, at Amazon in black, at Amazon in silver, at B&H in black or at B&H in silver.

The 16mm f/1.4 is much older and many times more expensive. This f/2.8 lens is smaller and far more practical than the 16mm f/1.4.They take exactly the same pictures.

Get the 16mm f/1.4 only if you really do shoot at f/2 or f/1.4, or only if you really need the bizarre manual focus ring of the 16mm f/1.4.

Both of these lenses are as sharp as each other.

 

Recommendations

Top   Sample Images   Intro   Specs

Performance   Compared

Recommendations   More

This is a great lens if you want a tiny fixed 24mm-equivalent lens for your Fujifilm's APS-C X-mount camera at a bargain price. It's tiny and extremely well made, a perfect addition to your little camera.

Most people prefer zooms, so if you're going to take your 18-55mm, 10-24mm or 8-16mm (or any other lens that covers anywhere near 16mm), you don't need this lens; it would be redundant. See also How to Carry Less.

I use a clear (UV) protective filter instead of a cap. I only use a cap when I throw this in a bag with other gear, otherwise I leave a clear protective filter on my lens at all times instead of a cap so I'm ready to shoot instantly.

The very best protective filter is the Multicoated Hoya HD 49mm which uses hardened glass and repels dirt and fingerprints.

For less money, the BW 49mm 010 is an excellent filter, as are the multicoated B+W and the basic multicoated Hoya filters, but the Hoya HD is the toughest and the best.

Filters last a lifetime, so you may as well get the best. The Hoya HD stays cleaner than the others since it repels oil and dirt.

I'd get my Fuji 16mm f/2.8 at Adorama in black, at Adorama in silver, at Amazon in black, at Amazon in silver, at B&H in black or at B&H in silver.

This 100% all-content website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Fujifilm does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, non-USA, store demo or used lens. I use the stores I do because they ship from secure remote warehouses where no one gets to touch your new camera before you do. Buy only from the approved sources I use myself for the best prices, service, return policies and selection.

Thanks for helping me help you!

Ken.

 

More Information

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Performance   Compared

Recommendations   More

I'd get my Fuji 16mm f/2.8 at Adorama in black, at Adorama in silver, at Amazon in black, at Amazon in silver, at B&H in black or at B&H in silver.

Fujifilm's 24mm f/2.8 product page.

Fujifilm's 24mm f/2.8 press release.

 

© Ken Rockwell. All rights reserved. Tous droits réservés. Alle Rechte vorbehalten.

 

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21 March 2021, 13-17 April 2019