Sony 24-105mm f/4FE G OSS Full-Frame E-Mount (2017-)Compatibility Specs Performance Compared Usage Recommendations Sony FE 24-105mm f/4 G OSS (covers full-frame and APS-C, metal 77mm filter thread, 23.4 oz./662g, 1.25'/0.38m close focus, about $1,298). bigger. I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon. This 100% all-content, junk-free website's biggest source of support is when you use those or any of these links to my personally approved sources I've used myself for way over 100 combined years when you get anything, regardless of the country in which you live — but I receive nothing for my efforts if you take the chance of getting it elsewhere. Sony does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, dropped, incomplete, gray-market, store demo or used lens — and my personally approved sources allow for 100% cash-back returns for at least 30 days if you don't love your new lens. I've used many of these sources since the 1970s because I can try it in my own hands and return it if I don't love it, and because they ship from secure remote warehouses where no one gets to touch your new lens before you do. Buy only from the approved sources I've used myself for decades for the best prices, service, return policies and selection.
April 2024, September 2018 Sony Sony Lenses Zeiss Nikon Canon Fuji LEICA All Reviews
Sample ImagesTop Sample Images Intro Format Third Street at 19th, San Francisco, 8:03 P.M., 16 September 2018. Sony A7R III with Sony 24-105mm f/4 G at 105mm at f/4 at 1/10 hand-held at ISO 3,200, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Blue, Green and Red, Third Street, San Francisco, 8:02 P.M., 16 September 2018. Sony A7R III with Sony 24-105mm f/4 G at 24mm at f/4 at 1/5 hand-held at ISO 1,600, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
20th Street, Dogpatch, San Francisco, 6:06 P.M., 16 September 2018. Sony A7R III with Sony 24-105mm f/4 G at 49mm at f/7.1 at 1/160 at Auto ISO 100, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Chinese Restaurant San Francisco, 12:25 P.M., 16 September 2018. Sony A7R III with Sony 24-105mm f/4 G at 86mm at f/6.3 at 1/250 at Auto ISO 100, Perfectly Clear. bigger or full-resolution.
Three Brick Windows, San Francisco, 5:54 P.M., 16 September 2018. Sony A7R III with Sony 24-105mm f/4 G at 93mm at f/7.1 at 1/320 at Auto ISO 100, Perfectly Clear. bigger or full-resolution.
Marilyn Monroe on the Telephone — in color, 7:00 P.M., 26 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 105mm at f/4 hand-held at 1/125 at Auto ISO 800, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Girl Stopped on Motorcycle in the Desert, 6:36 P.M., 26 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 40mm at f/8 hand-held on the ground at 1/20 at ISO 1,000, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Girl Dancing in the Rain, 3:18 P.M., 27 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 67mm at f/4 at 1/500 at ISO 5,000, Perfectly Clear. bigger or full-resolution or camera-original © JPG.
Islands, 12:53 P.M., 19 December 2017. Sony A7R III with Sony 24-105mm f/4 G at 105mm at f/5.6 at 1/250 at Auto ISO 100, as shot. bigger or camera-original © JPG.
Dune Buggies, Nellis Dunes, Nevada, 9:58 A.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 24mm at f/11 at 1/200 at Auto ISO 100, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Aerial View of Mandalay Bay Roof, Las Vegas, Nevada, 3:18 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 105mm at f/4 at 1/1,000 at Auto ISO 100, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Dune Buggy Flying over Dune, Nellis Dunes, Nevada, 10:36 A.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 24mm at f/6.3 at 1/500 at Auto ISO 125, as shot. bigger or camera-original © JPG.
Aerial Creosote Bush Inventory, Nevada Desert, 4:42 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 48mm at f/4 at 1/1,000 at Auto ISO 400, Perfectly Clear. bigger, full-resolution or camera-original © JPG. This is one of many images used by a joint effort between the BLM, Google and the Sierra Club to inventory each and every creosote bush in the Nevada Desert by mid-2019. Aerial view towards Red Rock from the Las Vegas Strip at sunset, 5:14 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 34mm at f/4 at 1/1,000 at Auto ISO 500, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Hoover Dam, Nevada Desert, 4:57 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 24mm at f/4 at 1/1,000 at Auto ISO 800, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Aerial view of Frank Gehry's Lou Ruvo Brain Health Center, Las Vegas, 5:12 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 105mm at f/4 at 1/1,000 at Auto ISO 1,250, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Bellagio Hotel Turns Chinese, 8:06 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 30mm at f/4 hand-held at 1/30 at Auto ISO 2,000, Perfectly Clear. bigger, full-resolution or camera-original © JPG. Paris by Moonlight in the Rain, 8:13 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 30mm at f/4 hand-held at 1/30 at Auto ISO 2,500, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Chevron by Mimi's, 9 P.M., 15 December 2017. Sony A7R III with Sony 24-105mm f/4 G at 24mm at f/4 at 1/15 hand-held at Auto ISO 400, Perfectly Clear. bigger, full-resolution file or camera-original © JPG.
Ryan and the snowman he made at his school Christmas party, 12:13 P.M., 21 December 2017. Sony A7R III with Sony 24-105mm f/4 G at 65mm at f/4 at 1/125 at Auto ISO 800, Perfectly Clear. bigger or full-resolution file. Super-sharp and great bokeh under any conditions!
Ryan and his MacBook Air, 1:35 P.M., 17 December 2017. Sony A7R III with Sony 24-105mm f/4 G at 78mm at f/4 at 1/125 at Auto ISO 3,200, Perfectly Clear. bigger or full-resolution © file. Crop from above. bigger or full-resolution © file. IntroductionTop Sample Images Intro Format
This Sony FE 24-105mm f/4 G OSS is the world's best midrange zoom. It offers spectacular optical performance as well as first-rate mechanical construction at half the price of similar lenses, and it's smaller, lighter and has better ergonomics than the more expensive lenses. It is a superb lens at a reasonable price, a weather-resistant baby version of the huge 24-70mm f/2.8 GM. This is a professional lens at a consumer price! In fact, it's a better lens than the older and similar-looking 24-70mm f/2.8 GM because this lens is just as tough and weather-resistant, adds 50% more zoom range and optical stabilization, and does it in a smaller, lighter package with less flare and tighter macro focusing for half the price. Bravo! While f/2.8 was helpful when shooting film back in the 1980s, digital has such great high-ISO performance that f/4 is more than fast enough for hand-holding in any light, and bokeh is very similar between f/4 and f/2.8 — while the size, weight, zoom range, stabilization and price difference is huge. The Sony FE 24-105mm f/4 G OSS is ultra sharp, much sharper than the dinky ZEISS FE 24-70mm f/4 OSS at 24mm in the corners and sharper than the ZEISS 16-35mm from 24~35mm. We may safely forget those old Zeiss lenses from earlier this decade. This Sony is also smaller, lighter and easier to use than the Canon 24-105/4 L II, and once-great Nikon doesn't even make a 24-105mm lens. Bravissimo, Sony! I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon.
GoodUltrasharp at every setting, especially wide-open at f/4. Excellent bokeh. Constant f/4 at all focal lengths. Very fast and silent autofocus. Focus lock button. Metal filter thread. Unusually solid and precise construction. Bargain price for this level of optical and mechanical performance.
BadNothing.
MissingNo focus or depth-of-field scales.
Sony FE 24-105mm f/4 G. bigger.
FormatTop Sample Images Intro Format I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon. This is a full-frame lens and I'm reviewing it as such. It works great on APS-C cameras and you may make the usual inferences for them. I never suggest using full frame normal zooms on APS-C; you pay a huge premium in size and money for a full frame lens, and most of its image is simply wasted with the cropped sensors of APS-C cameras. For APS-C cameras, use an APS-C lens like the ZEISS 16-70/4 which offers a more appropriate zoom range in a smaller package for less money. Heck, for APS-C consider the 16-50mm PZ for the small size and weight for which you went mirrorless in the first place.
CompatibilityTop Sample Images Intro Format I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon. This works on all Sony E-mount cameras, full-frame and APS-C crop-sensor. This includes all the variations of NEX, A9-, A7-, A6xxx and A5xxx series cameras. It will not work on any Sony A-mount DSLR or any Minolta MAXXUM 35mm SLR of any kind. Those use the old A mount which was actually the Minolta MAXXUM mount from 1987.
SpecificationsTop Sample Images Intro Format
I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon.
NameSony calls this the FE 24-105mm f/4 G OSS: FE: Full-frame coverage, E-mount. G: means Sony's nearly best, but not quite as physically tough as the GM "G Master" lenses — but this lens seems identical mechanically to the 24-70/2.8 GM. OSS: "Optical Steady Shot" Image Stabilization.
OpticsSony 24-105/4 construction. ED, Advanced Aspherical and Aspherical elements. bigger. 17 elements in 14 groups. 4 aspherical elements, two of which Sony calls "Advanced Aspherical." 3 extra low dispersion elements. Schmutz-resistant fluorine coated front element.
DiaphragmSony 24-105mm f/4. bigger. 9 rounded blades. Stops down to f/22.
Focal Length 24-105mm. When used on APS-C, it sees the same angle of view as a 35-150mm lens sees when used on a full-frame camera. See also Crop Factor.
Angle of View 84º ~ 23º diagonal on full-frame. 61° ~ 15° diagonal on APS-C.
AutofocusInternal focus. No external movement as focussed, so no air or dust is sucked in. Sony claims a Direct Drive Super Sonic Motor (DDSSM) system.
Close Focus1.25 feet (0.38 meters).
Maximum Reproduction Ratio1:3.2 (0.31 ×).
StabilizerYes.
FiltersMetal 77mm filter thread.
HoodSony ALC-SH152 hood for 24-105mm f/4. bigger. ALC-SH152 hood included.
CaseCase included.
Size3.28" maximum diameter × 4.46" extension from flange. 83.4mm maximum diameter × 113.3mm extension from flange.
Weight 23.350 oz. (662.0 g) actual measured weight. Rated 23.4 oz. (663 g).
IncludedLens (SEL24105G). ALC-F77S front and ALC-R1EM rear cap. Case & strap.
AnnouncedWednesday, 25 October 2017.
Shipping sinceMid-December 2017.
Sony Model NumberSEL24105G.
Price, USA29 April 2024$1,298 new at Adorama and at B&H. About $700 used at eBay (How to Win at eBay) or about $800 used through Amazon.
October 2017 ~ April 2018$1,298 at Adorama, at Amazon, at B&H and at Crutchfield.
PerformanceTop Sample Images Intro Format
Overall Autofocus Breathing Bokeh Distortion Ergonomics Falloff Filters Flare & Ghosts Lateral Color Fringes Macro Mechanics
I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon.
OverallThis Sony 24-105 4 is the most practical high-quality zoom you can get for your Sony. Everything works great and all my pictures are super-sharp and well exposed.
AutofocusAutofocus is fast and completely silent. There is a single focus lock button that's a Godsend; hold it to lock focus. The diaphragm operation is also completely silent.
Manual FocusManual focus is electronic; the focus ring is only connected to the camera's computers. Slide the switch to MF and you're in Manual Focus. On most Sony cameras, set "DMF" as the focus mode (usually via your Fn button) and you'll have instant manual override just by turning the ring in what otherwise works like the AFS mode.
Focus BreathingFocus breathing is the image changing size as focused in and out. It's important to cinematographers because it looks funny if the image changes size as focus gets pulled back and forth between actors. If the lens does this, the image "breathes" by growing and contracting slightly as the dialog goes back and forth. I don't see any breathing, making this ideal for movies — if you can get around the odd electronic focus ring. I doubt you'll get good results with a pro follow-focus rig since the ring isn't actually connected to the focus mechanism and therefore won't reproduce the same focus as you return the ring to the same spot.
BokehBokeh, the feel or quality of out-of-focus areas as opposed to how far out of focus they are, is excellent. Backgrounds just melt away. Here are samples at headshot distance: Davis 6250 weather station and bee, 8:50AM, 19 December 2017. bigger or camera-original © file to explore on your computer (mobile devices rarely display full resolutions images properly).
Davis 6250 weather station, 8:50AM, 19 December 2017. bigger or camera-original © file to explore on your computer (mobile devices rarely display full resolutions images properly).
DistortionThe Sony 24-105/4 G has no visible distortion as shot on Sony cameras which correct it by default. My A7R III won't let me turn off the distortion correction. For ultra-critical uses you can correct the tiny amount of residual distortion with these values in Photoshop's lens distortion filter. These aren't facts or specifications, they are the results of my research that requires hours of photography and calculations on the resulting data.
© 2017 KenRockwell.com. All rights reserved.
ErgonomicsThis is an easy lens to hold and shoot. Zooming is perfect. It can be zoomed with a strong finger, and it's easy with two fingers. It's smooth and well damped. There's no creep, and it's almost as easy to zoom when pointed straight up or down. Zooming is well spaced; it's easy to set precise framing anyplace in the range. Focus is an electronic encoder ring. It turns freely, and what it does depends on how you have your camera set. The switches fall right under my thumb. Bravo!
FalloffFalloff is invisible with the camera's default "Shading Correction" ON.
Filters, use withThere's no need for thin filters. Go ahead and use your standard rotating polarizer and grad filters. I can use fat 77mm filter and get no vignetting at 24mm on full-frame, and I can stack filters at longer settings on full frame. Avoid polarizers at the 24mm setting with any lens; the sky's natural polarization may appear as a dark band across the sky.
Flare & GhostsThere is no flare or ghosting to speak of; it's much less than the 24-70mm f/2.8 GM
Lateral Color FringesThere are no color fringes as shot on Sony cameras, most of which by default correct for any that may be there.
MacroIt gets even tighter than the 24-70/2.8 GM! Macro performance is very good; it gets very close and is very sharp:
Kienzle Flieger Automat 800/2843, 21 December 2017. Sony A7II, Sony 24-105mm f/4 G at 105mm at f/8 at 1/320 at Auto ISO 100. bigger or camera-original © file. Here's a crop: 1,200 x 900 pixel crop from above. bigger or camera-original © file. If this is about 6" (15cm) wide on your screen, the complete image would print at 26 × 40" (67 × 100 cm) at this same high magnification. If this is about 12" (30cm) wide on your screen, the complete image would print at 53 × 80" (4.5 × 6 feet or 1.3 × 2 meters) at this same high magnification.
Wide-open at f/4Spherochromatism appears wide-open: Kienzle Flieger Automat 800/2843, 21 December 2017. Sony A7II, Sony 24-105mm f/4 G at 105mm at f/4 at 1/1,250 at Auto ISO 100. bigger or camera-original © file. And a crop: 1,200 x 900 pixel crop from above. bigger or camera-original © file. If this is about 6" (15cm) wide on your screen, the complete image would print at 26 × 40" (67 × 100 cm) at this same high magnification. If this is about 12" (30cm) wide on your screen, the complete image would print at 53 × 80" (4.5 × 6 feet or 1.3 × 2 meters) at this same high magnification.
Mechanical QualitySony 24-105mm f/4. bigger. This Sony 24-105 is made very well, much better than other lenses for the same price. It's made as well as the $2,200 24-70/2.8 GM, with lots of metal all over.
Front BumperNone.
Filter ThreadsMetal.
Hood Bayonet MountMetal.
Front BarrelMetal.
Focus RingRubber-covered solid metal.
Mid BarrelSection with focus lock buttons: plastic.
Zoom RingRubber-covered metal.
Rear BarrelPlastic.
IdentityLittle raised silver-lettered plate glued to top of barrel. Dark gray paint on bottom rear of barrel.
InternalsSeems like mostly metal, with metal cams.
Moisture Seal at MountYes.
MountDull chromed metal.
MarkingsFocal-length settings are engraved into the metal and filled with paint on the zoom ring, while other markings are painted.
Serial NumberA sticker glued to the bottom of the barrel - not an acceptable way to serialize any product that sells for more than $10, but the $2,200 24-70/2.8 GM does it the same way.
Date CodeNone found.
Noises When ShakenVery mild clunking.
Made inChina.
SharpnessThis 24-105 is ultra sharp at every setting everywhere in the image. Yes, it's better than the ZEISS lenses. Here's an image shot wide-open at 105mm, and it's ultra-sharp corner to corner. You can't ask any more of a lens than this: Aerial View of Mandalay Bay Roof, Las Vegas, Nevada, 3:18 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 105mm at f/4 at 1/1,000 at Auto ISO 100, Perfectly Clear. bigger, full-resolution or camera-original © JPG. Here are Sony's MTF charts at f/4 and f/8 at 10 cyc/mm (heavy) and 30 cyc/mm (thin), radial (solid) and tangential (dotted):
SpherochromatismSpherochromatism, also called "color bokeh" by laymen, can cause colored fringes on out-of-focus highlights, usually seen as green fringes on backgrounds and magenta fringes on foregrounds with fast, long lenses shot wide open. It is an advanced form of chromatic aberration in a different dimension than lateral color. Spherochromatism is most commonly seen in fast lenses of moderate focal length when shooting contrasty items at full aperture. It goes away as stopped down. Sony 24-105mm f/4 Spherochromatism. The watch is tilted so the right side is farther away than the left. Sony A7II, Sony 24-105mm f/4 G at 70mm at f/4 at 1/250 at Auto ISO 100. bigger or camera-original © file.
1,200 x 900 pixel crop from above. See how the white hands (closer) have red fringes and other markings (farther away) have blue fringes? bigger or camera-original © file. This Sony has a relatively minor dose of cyan/reddish-orange spherochromatism. This is great for portraits since it helps smooth blue and green backgrounds of sky and foliage, but bad for cinematography since it can lead to weird green fringes on out-of-focus bright areas and points of light.
Image StabilizationImage stabilization works great. I can hand hold it under any conditions I need: Bellagio Hotel, Las Vegas, 8:21 P.M., 28 February 2018. Sony A7 III with Sony 24-105mm f/4 G at 46mm wide-open at f/4 hand-held at 1/8 at Auto ISO 1,600, exactly as shot. bigger or camera-original © JPG.
Third Street at 19th, San Francisco, 8:03 P.M., 16 September 2018. Sony A7R III with Sony 24-105mm f/4 G at 105mm at f/4 at 1/10 hand-held at ISO 3,200, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
Blue, Green and Red, Third Street, San Francisco, 8:02 P.M., 16 September 2018. Sony A7R III with Sony 24-105mm f/4 G at 24mm at f/4 at 1/5 hand-held at ISO 1,600, Perfectly Clear. bigger, full-resolution or camera-original © JPG.
SunstarsDue to its rounded diaphragm blades, this 24-105 makes softer sunstars on brilliant points of light, and only at the smaller apertures. It does make some decent sunstars, but only under ideal conditions.
ComparedTop Sample Images Intro Format
I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon.
New: Best 24-105mm Lenses Compared
Versus the 24-70mm f/2.8 GMThe 24-70mm f/2.8 GM is an older lens that's twice as expensive, weighs 50% more, can't zoom as far and lacks stabilization. Both of these lenses are made just as well and are as sharp as each other. The f/2.8 lens is a stop faster, but I don't find that important with digital cameras and the insane ISOs at which they still make great pictures. This 24-105mm lens is much easier to carry all day and zooms much more easily, makes tighter macro shots, has less flare, adds optical stabilization and zooms 50% longer — and costs half as much. I have no idea why some people get excited about lenses that only go to 70mm; 105mm is far more useful. I'd forget about the f/2.8, unless you are the sort of guy who likes to flaunt his fancy lenses more than he likes to show off great photos. The 2.8 might be a hair sharper in the corners at 2.8 in the lab, but the real-world photos of the 24-105 are at least as good when you add stabilization and the better zoom range. The 2.8 is more for sports and action pros who need 2.8 for fast shutter speeds even in the dark, and may appreciate its possibly even faster focussing. For day to day shooting, I prefer this 24-105.
Versus the 24-240mm OSSThe 24-240mm OSS is a less expensive, lighter-duty lens that weighs a little more, and has over double the zoom range. These are different lenses; get the 24-240 if you don't want to carry a separate tele, and get this 24-105mm if you want a higher-quality lens to cover only to 105mm.
Versus the ZEISS FE 24-70/4The ZEISS FE 24-70/4 is a smaller, older, lighter weight and lighter duty lens. It doesn't zoom as far, macro isn't as close and it isn't as sharp at wide angles. The ZEISS is a mostly plastic lens inside a thin metal vanity shell; this Sony is a much tougher lens. This Sony is significantly sharper in the corners wide-open at 24mm than the ZEISS. This Sony has a focus lock button, the f/4 ZEISS does not. Again, I have no idea why some people get excited about lenses that only go to 70mm; 105mm is far more useful. I'd pass on the Zeiss unless you're willing to forgo a lot of zoom range and performance to save 8.4 oz. (237g) around your neck.
Versus CanonThis is a dumb comparison, since the best lens to use is the one that fits your camera. Don't waste time with adapters since all they do is mess things up. For Sony, use this Sony lens. The Canon 24-105/4 L II is a marvelous professional L lens, but it's also much heavier (4.6 oz./133g) than the Sony 24-105. They perform as well optically; each is superb. On a Sony camera, the Canon 24-105 will distort much more since the camera can't compensate for it, and only the Sony lens' optical stabilizer will work. The Sony's ergonomics are much better; it's easy to zoom while the Canon has a very stiff zoom ring which is a pain to move after a day of shooting. This Sony only has electronic manual focus-by-wire, while the Canon has a real direct-connected manual focus ring with instant manual override — no menus or digital foolishness needed as with this Sony. This Sony has one focus lock button, absent on the Canon.
UsageTop Sample Images Intro Format
I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon.
Sony 24-105mm f/4. bigger.
AF/MFLeave the slide switch at AF (autofocus). Use MF, Manual Focus, only if you want to disable autofocus. On most Sony cameras, set "DMF" as the focus mode (usually via your Fn button) and you'll have instant manual override just by turning the ring in what otherwise works like the AFS mode.
OPTICAL STEADY SHOTLeave this ON. I'd only turn it off if I was on a very sturdy tripod, and then only if I was making long exposures. Otherwise the stabilizer often can help reduce vibration from the tripod.
RecommendationsTop Sample Images Intro Format
I'd get mine new at Adorama or at B&H, or used at eBay (How to Win at eBay) or used at Amazon.
OverallI love this lens. it's the best midrange zoom available for full-frame Sony cameras if you live in the real world where you have to carry your own gear all day. This 24-105mm is a pro-level lens at a consumer price! Someone at Sony is starting to take the photography market seriously, bravo! The 24-70/2.8 GM is more of a showboat lens for people who don't actually use it (or who shoot pro sports and action all day and night), and the 24-240mm is a lighter-duty lens with longer range but less optical performance and durability.
Protective FilterI use a clear (UV) protective filter instead of a cap. I only use a cap sometimes when I throw this in my bag, otherwise I leave a clear filter on my lens at all times and that's it. The best protective filter is the 77mm Hoya multicoated HD3 UV which uses hardened glass and repels dirt and fingerprints. For less money, the B+W 77mm 010 is an excellent filter, as is the multicoated version and the basic multicoated Hoya filters or the 77mm Nikon Clear (NC - UV), but the Hoya HD3 is the toughest and the best. Filters last a lifetime, so you may as well get the best since the Hoya HD3 stays cleaner than the others and will outlast this lens — and maybe you!
Where I'd get mineI'd get my Sony 24-105 at Adorama, at Amazon, at B&H or at Crutchfield. This 100% all-content, junk-free website's biggest source of support is when you use those or any of these links to my personally approved sources I've used myself for way over 100 combined years when you get anything, regardless of the country in which you live — but I receive nothing for my efforts if you take the chance of getting it elsewhere. Sony does not seal its boxes in any way, so never buy at retail or any other source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective, damaged, returned, dropped, incomplete, gray-market, store demo or used lens — and my personally approved sources allow for 100% cash-back returns for at least 30 days if you don't love your new lens. I've used many of these sources since the 1970s because I can try it in my own hands and return it if I don't love it, and because they ship from secure remote warehouses where no one gets to touch your new lens before you do. Buy only from the approved sources I've used myself for decades for the best prices, service, return policies and selection. Thanks for helping me help you! Ken, Mrs. Rockwell, Ryan and Katie.
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Mr. & Mrs. Ken Rockwell, Ryan and Katie.
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29 Apr 2024 add eBay, 19 September 2018, 21 April 2018, 09 March 2018, 21 December 2017