Pentax 645 35mm f/3.5
SMC Pentax-A 35mm f/3.5. enlarge. You can find these used at these direct product links to Adorama and eBay. It helps me keep adding reviews of this old stuff when you use these links to get yours, Thanks! Ken.
December 2008 more Pentax reviews
Pentax 645, 645N and 645NII medium-format cameras.
It works in all the automatic and manual exposure modes of the Pentax 645, 645N and 645NII.
These are bargains. I paid $300 for this one over eBay in December 2008. Back in December 1997, B&H got $800 for this lens new, and it was up to $840 in April of 2001. That's over $1,000 in 2009 with inflation. It was replaced by the autofocus version in about 2002.
It is exceptional because:
1.) It works perfectly with 2 stacked 77mm filters. There's no vignetting as with almost every other ultrawide lens made in any format.
2.) Exceptionally low distortion for a reflex lens.
3.) Sharp, too!
Pentax 645 35/3.5. enlarge.
9 elements in 8 groups. Floating rear group. Multicoated.
35mm equivalent: It sees an angle of view on 645 film similar to what a 21mm lens sees on 35mm film.
See also my 35mm Equivalent Focal Length Chart for other 645 lenses.
8 blades stopping down to f/22. Arbitrary half and full-stop clicks.
1 foot (0.3m).
Does not rotate with focus.
3.15" diameter x 2.64 " long (80 x 67mm).
16.520 oz. (468.3g) measured, 16.6 oz. (470g) specified.
Pentax suggests the A645 2X converter, but not the A645 1.4X converter. Only an idiot would use a 2x teleconverter to make this into a very expensive 70mm f/7 combination, when the 75mm f/2.8 lens would be a much smarter idea. The 75mm f/2.8 is smaller and weighs less than the converter, too!
Pentax 645 35 3.5. enlarge.
The Pentax 645 35mm f/3.5 is an exceptionally high performance and useful lens compared to other ultrawide reflex lenses.
The Pentax 35mm f/3.5 has no visible distortion. This is the worst I can make it look:
Horizon, worst case. enlarge. You're not going to get any better with any other ultrawide SLR lenses. Pentax 35mm with 81C filter on expired-three-years-ago Fuji Velvia 100, 6x4.5 cm, processed and scanned at NCPS, f/9.5 at 1/125, program auto.
This is extraordinary for an SLR lens; you usually need a rangefinder or view camera lens to work any better.
For very critical use, plug +0.5 into Photoshop CS2's lens distortion filter to correct the invisible barrel distortion, after which there is just a little bit of waviness left. I see the same distortion at 10 feet (3 meters) as I do at infinity.
Your chromes will look great. Shoot interiors with vertical lines or the horizon at the beach, and all is well. For any shots other than the horizon above, there simply isn't any visible distortion. Lay off the straight shots of brick walls and everything else looks perfect.
I love it!
The focus ring feels fantastic; you can flick it with a single finger. It's smooth and slick, with no play. It's perfect.
The 35mm handles great. I wish all my lenses were this good.
No surprises; there's a little at f/3.5 and it goes away stopped down.
This is one of the best parts: focus is a dream. Just one fingertip can flick it. It's slick, smooth and perfect.
As mentioned before, I can use two stacked 77mm filters without vignetting. 77mm is the same size as Canon and Nikon pro lenses have been for decades, so you probably already have a stack of them.
Don't bother with polarizers. This lens sees such a wide angle that the natural polarization of the sky varies so much that your pictures will have uneven darkening across the sky. This isn't caused by the lens, it's how God made the sky.
The Pentax 645 35mm is made as it should be.
Barrel: Enameled, anodized aluminum.
Focus Ring: Metal, rubber covered.
Depth-of-Field Scale: Yes.
Infra-Red Focus Index: Yes.
Aperture Ring: Metal.
Finish: Black enamel over black anodize.
Mount: Metal with some plastic nubbins.
Markings: Engraved and filled with paint.
As expected, it's sharp.
Unlike the superior Mamiya 7 43mm f/4.5, it's not quite as sharp in the corners at large apertures, but this as expected for an SLR lens. The Mamiya lens has the advantage of using a totally different rangefinder design.
Stop it down a stop or two if you're on a tripod or have good light, otherwise, don't sweat it. It will cream anything in the smaller 35mm film format.
This is another area where the Pentax 645 35mm manual-focus lens stands out: it works great even with two 77mm filters stacked!
Serious landscape photographers often run two or three filters at once.
I haven't tried it with three stacked filters simply because I haven't tried yet. I was astounded when my it passed my usual torture test of a screw-in grad on top of a regular filter, which no other ultrawide lens has ever passed.
For instance, I shot with an 81C warming filter and a Tiffen graduated-ND 0.6 filter in 77mm screw-in mount, and I got no vignetting.
If you're a serious shooter, you know how important this is; if you're not, you're probably not shooting medium format and reading this, either.
This Pentax 35mm ultrawide lens feels great in-hand, has vanishingly low levels of distortion and takes stacked standard 77mm filters with no vignetting.
I'm a very happy camper: I've never used another ultrawide that can use two stacked filters without vignetting.
I have not tried the autofocus version of the Pentax 35mm f/3.5, so I can't comment on it other than that the AF version takes non-standard 82mm filters. I don't already have a stack of 82mm filters as most photographers do in the standard 77mm size. Nikon and Canon pro lenses have used 77mm filters for decades.
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