18-55mm VR II
Nikon 18-55mm VR II (DX coverage only, 52mm filters, 6.9 oz/195g, 0.9'/0.27m close focus, about $200). If you find this review helpful, getting yours from any of these approved sources, especially this link directly to it at Adorama. Thanks! Ken.
This Nikon 18-55mm VR II DX is a newer and lighter version of the original 18-55mm VR DX of 2007.
What's also new is that the lens retracts for even easier carrying, just as LEICA's better lenses have done since the 1930s. Personally I wouldn't retract this lens because it has to be extracted again to shoot with it, putting one more step between me and my picture, but for wrapping the camera in a jacket and packing it away in luggage, this is swell.
This 18-55mm f/3.5-5.6 VR II lens is a winner. It works perfectly. There isn't much it can't do well. For under $200, this could be the only lens you'd ever need for a DX DSLR. In some very subtle ways its optics can outperform the more expensive 16-85mm VR and 18-200mm VR lenses.
This new II version is even smaller and lighter than its predecessor.
This 18-55mm VR II focuses closer than either of the more expensive lenses, weighs less, is smaller and has less distortion at the long end. So there!
The 18-55mm VR II has superb optics in a plastic mount for light weight and low cost. What you lose for paying less than one-third the price is durability, instant manual-focus override and zoom range.
Its diaphragm works perfectly on my D3 at 11 frames per second.
Guess what? If you destroy this 18-55 VR after the five-year USA warranty expires, buy a another new one and you're out a total of not much more than half the price of the 18-200 VR or 16-85 VR. It's not likely to break with normal use: I've made 10,000 shots or more with my non-VR 18-55mm from 2006.
The worst thing is you might break the mount and drop an expensive heavy camera like the D4 if you pick them up by grabbing the lens. (no problems with lightweight cameras.)
This 18-55mm VR II is the same as the ridiculously good 18-55mm II kit lens, with the addition of Vibration Reduction (VR) and now a zoom lock. I'm addicted to VR, since with VR I can shoot without a tripod even in the dimmest light. VR helps make remarkably sharper photos when hand-held between 1/4 and 1/30 second.
It will work great on FX cameras, but it's foolish since it wastes most of an FX sensor.
On 35mm, it will give black corners at focal lengths shorter than 24mm, but almost works OK at 24mm and longer on film as does the original 18-55mm II. If you're a hacker like me and want to use this on older film cameras, see more at Nikon Lens Compatibility. This is an AF-S, a G and a VR lens.
Nikon calls this the Nikon AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR.
AF-S: Quiet focusing with a silent wave motor (SWM).
DX: Only works on digital cameras, usually gives black corners on film.
G: No aperture ring. Only works on cameras newer than about 1992.
VR: Vibration reduction, rated for three stops improvement.
All this and more explained in greater depth on my Nikon Lens Technology page.
See also Crop Factor.
f/3.5 - 5.6.
11 elements in 8 groups, including one hybrid aspherical element. A hybrid aspherical element is a glass element to which a thin aspheric plastic film is glued. This lets this $200 lens perform like a $2,000 lens. Nikon has been doing this for a decade, and their other lenses that use this technology are wonderful.
7 blade rounded.
Stops down to f/22-36.
0.9 feet (0.28m) from the image plane (the back of the camera). This is only inches away from the front of the lens!
Maximum Reproduction Ratio
Rotates with focus and extends with zooming.
Focus Distance Scale
Depth of Field Scale
Infrared Focus Index
2.6" diameter x 2.3" extension from flange (66 x 59.5mm).
(The non-VR 18-55mm is rated at 2.7 x 2.9" (70.5 x 74.0mm).)
Nikon specifies 6.9 oz. (195g).
f/5.6 is too slow. see Teleconverters.
07 January 2014.
AF speed is passable. It's not very fast, but I've never needed it to be faster for photographing friends and family.
I can't detect any difference between this 18-55mm VR II lens and my 18-55mm AF-S II.
AF always seems to be dead-on. No problems here.
Manual focus is a kludge. You have to jam the A — M switch to M, and then try to twiddle the front of the lens. If manual focus is important to you, spend three times as much on the 18-200mm VR.
It has strong barrel distortion at the wide end, and no distortion in the middle and at the long end.
If you have Photoshop, it's trivial to correct the distortion completely.
Plug these figures into Photoshop's lens distortion filter to correct the distortion. These aren't facts or specifications, they are the results of my research that requires hours of photography and calculations on the resulting data.
© 2008 KenRockwell.com
I've never seen any falloff with real pictures.
I've made it far more obvious by shooting a gray field and then placing these on the same gray background. This is on a DX camera.
Excellent. Modern lenses have pretty much eliminated this. I really have to go out of my way and risk blindness trying to excite this.
This will vary with focal length setting and position of the sun or other light sources.
It has none on the newest Nikons, which correct for this automatically.
It gets super close, with no fooling around.
Barrel, focus and zoom rings: Plastic.
Markings: Paint. ID plate seems like raised and planed metal.
Lens Mount: Plastic. Be careful!
Rear Dust Gasket: No.
Made in: Thailand.
Serial Number: Sticker on bottom of barrel.
USA Version shown by: "US" prefix to serial number.
This little plastic lens is a miracle. It's sharp, sharp, sharp.
Lens sharpness used to matter with zooms in the 1960s, but today, all Nikon's lenses are sharper than most photographers ability to elicit sharpness from them.
Nikon claims 4 stops improvement.
Zooming feels great.
It's perfectly damped with no creep. It feels much better than a lens this cheap has any right to feel.
It's perfectly spaced. It's easier to set a precise composition with the 18-55 than with many of Nikon's fancier zooms.
The filter ring does not rotate as you zoom. It does move in and out, being the shortest at 30mm setting.
I'd get one! It's super-sharp, and can give images as good or better than the more expensive 16-85mm and 18-200mm lenses. You lose mechanical durability, not image quality, compared to the more expensive lenses.
Personally, I prefer the fixed 35mm f/1.8 DX lens for the same price — but that's just me. I prefer a faster tougher lens and can do without the zoom, while most people prefer a zoom.
I would buy a 52mm Hoya UV filter (a whopping $10 for an excellent filter) to keep on at all times for protection. It's easier to replace a filter than to replace a lens.
I'd get this over the 18-135mm lens any day, and the 18-135mm costs much more.
Do you need VR?
VR is critical for longer lenses, but not in the range of 18-55mm for most people.
Most people who buy this will never get any benefit from VR, however if you're reading this review, you probably are the sort of person who learns his camera and will.
In the range of 18-55mm, VR doesn't do anything unless you take the camera off its green AUTO setting or turn off the flash to get longer shutter speeds in dim light. If you always use a tripod you don't need VR. In these cases, forget this VR lens and get the otherwise identical non-VR 18-55mm to save money.
I live by VR because my best shots are hand-held in fading light. VR is a huge benefit when shooting hand-held at slow shutter speeds from about 1/4 to 1/30 of a second. If you like to shoot interiors and night without a tripod as I do, this lens is for you unless you already have the Nikon 18-200mm VR.
If you want the best possible low-light performance for even less money, consider instead the 50mm f/1.8 AF-D for a whopping $120. It's ten times as sensitive to light due to its f/1.8 versus f/5.6 aperture at 50mm. With the 50mm f/1.8 you'll be shooting at 1/60 of a second at f/1.8 instead of 1/6 of a second at f/5.6 with the 18-55mm VR II lens. With the 50mm f/1.8 you'll stop action as well as hand jitter. VR only stops hand jitter. (The 50mm f/1.8 won't autofocus on the D40, D40x or D60 while this VR lens will.)
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