Home Donate New Search Gallery Reviews How-To Books Links Workshops About Contact Fuji 16-55mm f/2.8 Sample Images Intro Specs Performance Recommendations More Fujifilm Fujinon XF 16-55mm f/2.8 R LM WR ASPH for X-mount cameras (metal 77mm filter thread, 23.2 oz./657g, 1.1'/0.35m close focus, about $1,049). enlarge. I got mine at this link to it at Adorama; these links to it at Amazon and at B&H are also great places to get it. This all-content, junk-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. Fuji does not seal its boxes, so never buy at retail or any source not on my personally approved list since you'll have no way of knowing if you're missing accessories, getting a defective or damaged customer return or a used product. Buy only from the approved sources I use myself for the best prices, service, return policies and selection. Thanks for your support! Ken.
September 2015 Fuji Reviews X-Mount Lenses All Reviews
Sample Image Files (more throughout the review) top Sample Images Intro Specs Performance Recommendations More Five Crowns VIP Room, 30 August 2015. (Fuji X-T10, Flash ON, XF 16-55mm f/2.8 R LM WR at 16mm at f/6.4 at 1/150 at Auto ISO 800, Perfectly Clear V2.) Full resolution.
6172, 30 August 2015. (Fuji X-T10, XF 16-55mm f/2.8 R LM WR at 34.2mm at f/8 at 1/420 at Auto ISO 400, Perfectly Clear V2.) Camera-original @ file. Note that only the plant in the front is actually in focus.
Wide-open at 16mm, 30 August 2015. (Fuji X-T10, XF 16-55mm f/2.8 R LM WR at 16mm at f/2.8 at 1/2,700 at Auto ISO 400, Perfectly Clear V2.) Full resolution (of course not everything's in focus at f/2.8).
Wide-open at 55mm, 30 August 2015. (Fuji X-T10, XF 16-55mm f/2.8 R LM WR at 55mm at f/2.8 at 1/2,200 at Auto ISO 400, Perfectly Clear V2.) Full resolution (of course not everything's in focus at f/2.8). As you can see if you download the full-resolution images, this lens is completely sharp and devoid of chromatic aberrations even shot wide-open.
Introduction top Performance Recommendations More This is a fast midrange zoom for Fuji X-mount cameras, and it's made of metal, too! Like all Fujinon XF lenses, there is no mechanical manual focus. It's all electronic. WR stands for weather resistant. Most newer Fuji X cameras offer an AF+MF mode option in their AUTOFOCUS SETTING menu, in which case you have instant manual focus override so long as you're holding the shutter halfway. Otherwise you have to move an AF mode switch on your camera to swap between auto and manual focus. Fuji has for many decades, just like Canon and Nikon, also made far more advanced optics, like binoculars for the military and for use in space, as well as lenses for motion pictures and television with six-figure price tags at discount. Unlike mud brands like Sigma and Tamron (or even LEICA), Fujinon has loads of experience actually supplying optics that cost more than some people's houses, and puts that same know-how into these lenses. This Fujinon 16-55mm is very well made out of metal, and has superlative optics that are super-sharp edge-to-edge even wide open at f/2.8. If you don't mind the price and weight; this is the best midrange zoom for Fuji cameras.
This is a Fuji X-mount XF lens that works only on Fuji X-mount cameras.
Fuji 16-55mm f/2.8. bigger.
Specifications top Sample Images Intro Specs Performance Recommendations More
Name Fuji calls this the Fujinon Aspherical Lens Nano GI XF 16-55mm f/2.8 R LM WR, or XF16-55mmF2.8 R LM WR. Fujinon is Fujifilm's brand name for their lenses. Aspherical means specially shaped lens elements for better sharpness. Nano GI means that one surface has Fuji's new sub-wavelength nano variable-index-of-refraction anti-reflection coating. It's the same as Nikon's Nano and Canon's SWC. XF is Fuji's line of good lenses for their X-mount cameras. R means it has an aperture ring. LM means Linear (focus) Motor. WR means weather resistant. ∅ 77 means it takes 77mm filters.
Optics Fuji 16-55/2.8 internal diagram. 17 elements in 12 groups. 3 aspherics and 3 extra low dispersion elements. Internal focussing. It's a "pumper" zoom; the front section pumps in and out and there can be some wind blown out the camera's eyepiece. HT-EBC multicoating; Nano GI Coating on the rear surface of the front element.
Diaphragm Front, Fuji 16-55/2.8; diaphragm not seen. 9 rounded blades. Stops down to f/22 in 1/3-stop clicks.
Focal length 16-55mm. When used on the X-mount cameras with their 1.52x sensors, it sees the same angle of view as a 24~85mm lens sees when used on a 35mm camera. When used on the X-mount cameras in their 1:1 square crop mode, it sees the same angle of view as a 58-200mm lens sees when used on a 6x6cm (2¼"square) medium-format camera. This is about the same as a 31-105mm lens sees when used on a 35mm camera. See also Crop Factor.
Angle of view 83.2 ~ 29º
Autofocus Twin Linear AF motor. Internal focus. No external movement as focussed, so no air or dust is sucked in.
Close Focus 16mm: 0.75' (9" or 0.23m), measured. 55mm: 1.1 feet (0.35 meters), measured.
Maximum Reproduction Ratio 1:6.25 (0.16x).
Filters Metal 77mm filter thread.
Hood Plastic bayonet-mount petal hood included. LH-X16 metal hood sold separately, promised for September 2015.
Size 3.28" diameter x 4.17" (at wide) to 5.10" (at tele) long. 83.3 mm diameter x 106.0mm (at wide) to 129.5mm (at tele) long.
Weight 23.178 oz. (657.1g) actual measured weight, lens only. Fuji specifies 23.1 oz. (655g).
Environment Rated to work down to -10º C (14º F).
Announced 06 January 2015.
Included Lens. Hood. Front and rear caps. "Lens wrapping cloth." Paperwork.
Packaging Box, Fuji XF 16-55mm f/2.8 R LM WR. Inside the micro-corrugated cardboard box are black pulp-formed cardboard holders for the plastic-wrapped lens and hood. A small folded tray of microcorrugated cardboard lies on top to hold the manual and lens wrapping cloth.
Fujifilm Model Number 16443072.
Price $1,049, February ~ September 2015.
Performance top Sample Images Intro Specs Performance Recommendations More Overall Auto and Manual Focus Bokeh Coma Distortion Ergonomics Falloff Filters Flare & Ghosts Color Fringes Macro Mechanics Sharpness Spherochromatism Sunstars
Overall performance top The Fuji XF 16-55mm f/2.8 R LM WR is optically superb. As shot on Fuji's cameras which compensate for everything, it's as perfect as I can measure. It's ultrasharp and has no falloff or distortion at any setting, and is also made extremely well.
Auto and Manual Focus performance top Autofocus is moderately fast, and it's very accurate, especially at f/2.8. Fuji's focus system is closed-loop, read directly from the image sensor, so it automatically compensates for any mechanical errors. Open-loop systems of DSLRs and LEICAs can't compensate for these errors and sometimes have focus errors (offsets) which we don't have in the Fuji system. Bravo! On the other hand, it's not as fast as Fuji would like you to believe. Unlike a DSLR, AF isn't instant; it can take a moment to lock-on.
Bokeh performance top Bokeh is very good and quite neutral. Of course if you want the softest backgrounds, get as close as possible and shoot at f/2.8 and 55mm. Fujinon 16-55mm f/2.8 bokeh at 16mm at f/2.8. Camera-original © JPG.
Fujinon 16-55mm f/2.8 bokeh at 55mm at f/2.8. Camera-original © JPG.
Coma performance top I see no coma, which is excellent.
Distortion performance top Distortion, as shot on the X-T10 which is probably correcting it automatically, is completely invisible except for some barrel distortion at 16mm, whoo hoo! At a shooting distance of 3 meters (10 feet) you can use a correction factor of +2.0 at 16mm in Photoshop's Lens Correction filter, and a factor of +0.5 at 23mm. I can't measure any distortion between 35mm and 55mm. This is excellent.
Ergonomics performance top Fuji XF 16-55mm f/2.8 R LM WR for X-mount cameras. Ergonomics are great! Grab and go. It feels great; it's a real metal lens. The only other real metal lenses made today are almost exclusively from LEICA; Nikon and Canon have been churning out mostly plastic since the 1980s. The dedicated aperture ring is also mandatory for real photography, but absent on most other brands of lenses. A whine about the aperture ring is that it needs a deeper detent or an easily-released lock at A, otherwise it's easy to knock it to f/22 by accident. It's silly to have all the third-stop clicks. We need the full stops more deeply detented so we can feel them with our eyes closed.
Falloff (darkened corners) performance top Light falloff is completely invisible, even at f/2.8, as shot on the X-T10 which is probably correcting it automatically. Even shooting white walls wide-open at f/2.8 to exaggerate it, it's invisible. I've greatly exaggerated it by shooting a gray plate and showing it against a gray background:
Filters, Use with performance top There's no problem with vignetting, even with a couple of stacked filters! The filter ring doesn't move at all, although the front of the lens pumps in and out as zoomed. The all-metal filter ring is a pleasant surprise compared to the plastic rubbish from other brands. For instance, Nikon's $1,900 24-70mm f/2.8 has a crummy plastic filter thread.
Flare and Ghosts performance top Flare, 28 July 2015. (X-T10, Auto ISO 400, 200% Dynamic Range, XF 16-55mm f/2.8 R LM WR, f/8 at 1/400.) bigger. There's no flare or ghosting. What we're seeing here — with the sun's disc in the image and putting a dark tree in the foreground to highlight it — is just as much artifacts of light bouncing around the sensor and inside the camera. See also Sunstars for more samples.
Lateral Color Fringes performance top There are no lateral color fringes as shot on the X-T10. It's probably correcting any that the lens may or may not have. This is superb performance.
Macro performance top Regardless of Fuji's crazy specifications, it focuses to within inches of the front of the lens. Measured at 9~14" (23~35 cm) from the image plane depending on zoom setting, that means about 4~8" (10~20cm) from the front of the lens: Genuine Rolex Submariner at close-focus distance zoomed to 55mm at f/13.
It's super sharp: Unsharpened crop from above image at 100%. If this is about 6" (15cm) on your screen, printing the complete image at this same high magnification would result in a 50 x 32" (125 x 85 cm) print! While it's not that close, it's certainly as close as I need for any day-to-day shooting, and close focus is never a limitation.
Mechanics performance top Rear, Fuji X-mount XF 16-55mm f/2.8 R LM WR. enlarge. The Fuji XF 16-55 2.8 is built much better than anything from Nikon or Canon today. It's built as well as LEICA lenses, with much newer technology. It's all anodized aluminum, not cheesy plastic.
Hood Plastic.
Hood Mount Anodized aluminum.
Filter Threads Anodized aluminum.
Front Barrel Shaft Plastic (this is the part you down see at the wide settings).
Focus Ring Anodized aluminum.
Focus Scale No.
Depth-of-Field Scale No.
Zoom Ring Rubber-covered plastic.
Mid Barrel Metal (this is the small part with the zoom and aperture index mark).
Aperture Ring Anodized aluminum. Third-stop clicks.
Rear Barrel Plastic.
Internals Plastic and metal.
Mount Dull-chromed metal.
Markings Aperture ring and index: Engraved and filled with paint, yay! Zoom ring and "16-55" at mount: Painted.
Identity Ring Front ring, laser-engraved.
Serial Number Laser engraved on rear of lens barrel.
Rain seal at mount Yes.
Noises When Shaken Moderate clunking.
Made in Japan.
Sharpness performance top Warning 1: Image sharpness depends more on you than your lens. Warning 2: Lens sharpness doesn't mean much to good photographers. With those caveats, the Fuji XF 16-55/2.8 is ultra sharp at all settings everywhere in the image. Bravo! Here is its rated MTF at f/2.8:
MTF at 16mm
MTF at 55mm
Spherochromatism performance top I see no spherochromatism, also called color bokeh by hobbyists. This means that out-of-focus highlights won't have slight color fringes.
Sunstars performance top Sunstars, 28 July 2015. (X-T10, Auto ISO 640, XF 16-55mm f/2.8 R LM WR, f/22 at 1/125.) bigger. The rounded 9-blade diaphragm makes no sunstars at large apertures, however it becomes straight as stopped down and can make great sunstars on brilliant points of light at f/22. It will make some small sunstars at reasonable apertures, like f/8, so it's better than many modern lenses.
Recommendations top Sample Images Intro Specs Performance Recommendations More The Fuji XF 16-55mm f/2.8 R LM WR is Fujifilm's best midrange zoom for their X-series of cameras. It has flawless optics! This is a tough metal lens, equivalent to Nikon's 17-55mm f/2.8 DX. It's also Fuji's DX-format equivalent to the Nikon 24-70/2.8 and Canon's 24-70/2.8 L. The only negatives to this lens are its weight and price. Price aside, we do have to ask ourselves what's the point of using this lens if the whole point of Fuji's X cameras is small size? Put this lens on an X-T10 and it's far from ultralight. If you've found my research here helpful, support for this all-content, junk-free website comes from when you use any of these links to get yours at Adorama, at Amazon or at B&H, or when you get anything at any of these links to approved sources. Please always use these links when getting any of your gear so I can continue to share what I know; it's what supports me. If you take the chance of buying elsewhere (or especially at retail), remember that Fuji doesn't seal its boxes. Unlike a bottle of milk or a CD which are sealed, buy your 16-55mm lens elsewhere or at retail and you'll not only cheat me out of the work I've done here to help you, you run the risk of getting a lens that's a customer return, dropped, missing accessories or been used for store demos. Never buy at retail; my approved sources all ship your lens from secure warehouses far away from customers or sticky-fingered salespeople. Thanks for helping me help you! Ken.
More Information top Sample Images Intro Specs Performance Recommendations More Fuji's 16-55/2.8 R LM WR pages. Fuji's 16-55/2.8 R LM WR press release.
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31 August 2015